Hayley Barker 
Born in Oregon, 1973 
Lives in Los Angeles, CA 
MA & MFA 2001, Intermedia, University of Iowa, IA 
BA 1996 Fine Arts, Art, University of Oregon, OR 
Selected Reviews 
4/17/18: "Where to find fantastic beasts? At Big Pictures Los Angeles' 'Airtight Garage.' David  
Pagel, LA Times 
2/12/18: "Spirit Bodies: on the work of Hayley Barker," Jennifer RemenchikCurateLA Blog 
2/2018: Feature Review of "AMPM," Richard Speer, Visual Art Source Online 
8/16/2017: “Goddess Ghosts,” Catherine Wagley, LA Weekly  
WI/SP 2015: “Artists Make Good Theologians,” Sarah Sentilles, Harvard Divinity Bulletin  
5/12/2014: "Apparition Hill" Review, John Motley, The Oregonian   
5/11/2014: Visual Art Source Editorial Feature: Apparition Hill", Richard Speer, Visual Art Source   
WI/SP 2015: “Artists Make Good Theologians,” Sarah SentillesHarvard Divinity Bulletin 
5.12.2014: "Apparition Hill" Review, John Motley, The Oregonian  
5.11.2014: Visual Art Source Editorial Feature: Apparition Hill", Richard Speer, Visual Art Source  
4.28.2014: "The Longing to See: Hayley Barker’s 'Apparition Hill'", Sarah SentillesOregon 
Arts Watch  
10/2011: Review of “Cathedrals,” Sue Taylor, Art in America  
6/2/2011: “Extolling Nature’s Cathedrals,” John Motley, Oregonian A&E  
Upcoming Exhibitions/Projects: 
4/2018: "The Divine Joke," Curated by Barry Schwabsky, Anita Rogers Gallery, New York, NY 
5/2018: The Glendale Biennial, Curated by The Pit at the Brand Library, Glendale, CA 
5/2018:  Residency, Gas, Los Angeles, CA 
5/2018: "Plus 1," Anytime Dept., curated by Lydia Rosenberg & Rebecca Steele, Cincinatti, OH 
6-8/2018: "Take Care," Curated by Ceci Moss, Gas, Los Angeles, CA 
7/2018: Sun Valley Center for the Arts, Curated by Courtney Gilbert, Sun Valley, ID 
7/2018: "Good Smoke," 0-0, featuring The Binder of Women, Los Angeles, CA 
Selected Solo Exhibitions 
2/2018: "Open Studio / 13 Paintings," Bozo Mag West Adams, Los Angeles, CA 
1/2018: "AMPM," Williamson Knight, Portland, OR 
7/2017: "New Paintings, Bozo Mag at Abode," Abode, Los Angeles, CA / 
5/2016: Solo Exhibition, Carl & Sloan Contemporary, Portland, OR 
4/2016: "PLANTS BODIES STARS," Luis De Jesus, Culver City, CA 
5/2014: "Apparition Hill," Charles A. Hartman Fine Art, Portland, OR 
8/2013"My dark house is full of comets," Gallery 214 Pacific Northwest College of ArtPortland 
11/2012: “The Prismatic Sun,” Charles A. Hartman Fine Art 
9/2012: "New Work," Art in the Governor’s Office, Salem OR 
6/2011: “Cathedrals,” Charles A. Hartman Fine Art 
10/2009: “Chimeras,” Charles A. Hartman Fine Art 
9/2007: “AMUSEMENT,” Kathrin Cawein Gallery of Art, Pacific University, Forest Grove, OR 
Selected Group Exhibitions: 
3/2018: "The Airtight Garage," Group show curated by Laurie Nye, Big Pictures LA, Los Angeles, CA 
2/2018: "Binder of Women" available at Otherwild, Los Angeles, CA 
1/2018: "It's OK," Charlie James Gallery, Los Angeles, CA 
12/2017: "Fresh Start," LAVA Projects, Alhambra, CA 
12/2017: Binder of Women Release Party & Show, The Pit, Glendale, CA 
5/2017: "The Upside of Her Hell," Bozo Mag, Beverly Hills, CA 
4/2017: "the Goddess Show," Rainmaker Gallery, Portland, OR  
2/2017: "No-Place," Gallery Protocal, Gainesville, FL 
3/2017: "Now Burning," Border Patrol, Portland, Maine 
2/2017: "Animal Farm," Dalton Warehouse, Los Angeles, CA 
1/2017: "Eve Eve," TOP, Los Angeles, CA 
11/2016: "Women on the Fence," Mothership Festival, Desert Hot Springs, CA 
5/2016: "A Space Born," Egyptian Art & Antiques, Beverly Hills, CA 
3/2016: Albatross Gallery, Portland, OR 
2/2016: "Rob Pruitt's Flea Market," Los Angeles, CA 
9/2015: “I was there,” The Property, Los Angeles 
10/2013: Disjecta Live Auction, Portland 
9/2013: PNCA Faculty Exhibition, Pacific Northwest College of Art, Portland 
8/2012: “The Portrait Project,” FOCO Gallery, Portland 
7/2012: “True Places,” Swarm Gallery, Oakland, CA 
2013: Caldera Artist in Residence 
2013: Regional Arts and Culture Council Project Grant 
2012: Contemporary Northwest Art Awards Nominee, Portland Art Museum 
2011: Regional Arts and Culture Council Project Grant 
2002-3 Portugal Award, College of the Redwoods, Project Grant 
2000-2001 Teaching Assistantship and Fellowship, University of Iowa 
1999-2000 Reggie Amos Grant for Intermedia Development, Project Grant 
1998-2000 Iowa Arts Fellow in Performance, University of Iowa 
Selected Bibliography: 
3/2018: Full Blede Issue 4: The Pattern, Edited by Sacha Baumann 
1/2018:"Vintage Self Help," 2nd edition, Zine, Published in collaboration with Williamson Knight & Bozo  
Mag, Designed and printed by Shiela Laufer, Egg Press, Portland, OR 
                Designed and edited by Antonia Pinter 
5/2017: "Vintage Self Help," 1st editionbook of short essays, Edited by Katie Ford, Published by Cherry & Lucic, Designed and printed by Sammie Cetta, Portland  
12/2014: Jay DeFeo Trust Guest Commentary, Blog 
10/2013: “On Seeing The Rose in Person for the First Time (March 2013),” Essay, ON IMAGES, a  
               blog by Sarah Sentilles 
12/2008: New American Paintings Magazine, Pacific Coast Edition, Paintings 
6/2005: "The Attractive Salve,” Essay in book published by University of Dortmund Press, "INTERMEDIA: Enacting the Liminal," edited by Hans Breder 
1% for the Arts, Oregon State University, Corvallis, OR 
University of Iowa Museum of Art, Iowa City, IA 
Professional Affiliation:  
Women’s Center for Creative Work 2015 
The Drawing Center Artist Registry and Viewing Program, New York City, NY, 5/2010-2014 
The Painting Center Registry, New York, NY, Since 2014 
Creative Capital Professional Development Program Graduate 10/2011 
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